Here’s the playlist for August 6, 2010. I dedicated a set to Dutch jazz giant, Willem Breuker, who passed away last week. Stay tuned for comments later. I’m out of town on August 13, but I’ll be back with a new show on August 20. Stay tuned!
Artist
Title
Album
Label
Comment
Willem Breuker Kollektief
The Good, the Bad, and the Ugly
Rhapsody in Blue
BVHaast
Featuring Henk De Jonge & the Vera Berths String Quartet
Harmonia
Watussi
Musik von Harmonia
Brain / Lilith
1974
Fred Wesley and the J.B.’s
Blow Your Head
Damn Right I Am Somebody
People
1974
The Fall
Mexico Wax Solvent
Your Future Our Clutter
Domino
Moritz von Oswald Trio
Nothing 3
Live in New York
Honest Jon’s
Wolfgang Voigt
Zither und Horn
Pop Ambient 2010
Kompakt
[BREAK]
Rolf Lislevand
Giovanni Antonio Terzi – “Petit Jacquet” + Diego Ortiz – Quinta pars
Diminuito
ECM
16th-century
Steve Gunn
Mustapha’s Exit
Boerum Palace
3-Lobed
2009
Trio Tipico Paraguayo de Félix Pérez Cardoso
Pajaro Campana
VA – Excavated Shellac: Strings – Guitar, Out, Tar, Violin and More from the 78rpm Era
Parlortone
1952 Paraguayan harp
Troupe Majidi
Afriquiya (Larssad)
VA – Ecstatic Music of the Jemaa El Fna
Sublime Frequencies
Morocco
Sol Hoopii
Kilohana
Master of Hawaiian Guitar, Vol. 1
Rounder
Zadik Zecharia
Zaina Zaina
Kurdish Melodies on Zorna
[BREAK]
Willem Breuker Kollektief
Our Day Will Come
Live in Berlin
BVHaast / FMP
1975, Bob Hillliard composition
Willem Breuker Kollektief
Song of Mandalay
s/t
About Time
1984, Kurt Weill composition
Willem Breuker Kollektief
PLO March
The European Scene: Live at the Donaueschingen Music Festival
Playlist for The Good, the Bad, and the Ugly July 30, 2010
Hosted by Greg Lyon on FRIDAYS at 2-5 pm
on Asheville Free Media (http://AshevilleFM.org)
You can listen to the most recent program by going to this show’s landing page on the Asheville FM website, or by accessing the MP3 stream directly here (available from early Saturday morning after airing through the next Friday and then gone gone gone).
Notes:
– The first two sets today were focused on the piano, and that allowed for a lot more classical than I usually play on the radio (that’s not an apology), although only one track was "classical" classical : a fugue by Bach (played by Sokolov). I really liked the piece entitled "Alien Heart," by the New York-based post-minimalist composer Elodie Lauten. It’s from a recent 2CD collection of her early-to-mid 1980s Piano Works. I’ve also been listening a lot to the 100 Transcendental Studies of the English composer Kaikhosru Sorabji (1892-1988), who was of Indian Zoroastrian (Parsi) ancestry. Only the first half or so (43 out of 100) of these Studies have been made available on CD so far, in a series on Bis Records and played by Fredrik Ullén. I hope the rest of them come out at some point soon.
– Trombonist Grachan Moncur III’s "Space Spy" (1969) is some seriously tension-laden minimalist avant-garde jazz, centered on a single three-note piano chord repeated over and over by Dave Burrell, with the unfailingly excellent Andrew Cyrille on drums quietly circling the proceeding like a menacing buzzard. I also started the show with new music with Andrew Cyrille (thank god he’s still at it) at the kit, on a CD by Steve Colson.
– Wreck Small Speakers on Expensive Stereos, a band from Dunedin, New Zealand (1980-1986), featuring Michael Morley (later of The Dead C) and Richard Ram (later of nothing that I know of), have been wrecking the speakers on my stereo pretty consistently now for a few weeks. I rediscovered the 1993 collection, River Falling Love (Ajax Records), and it’s going to make me scour the planet in search of their entire output–I’m sure in vain. It might even get me to re-listen to my pile of Dead C albums. Continuing the unintentional minimal/intense theme, at times they remind me a lot of Young Marble Giants, particularly when Denise Roughan (then of Look Blue, Go Purple, and later of The 3Ds and Ghost Club) provided guest vocals on the song "Rain;" I guess I’ll have to play that one in the coming weeks.
– Analog Africa continues to be, in my estimation, the most consistent African reissue label. Afro-Beat Airways: West African Shock Waves (Ghana & Togo 1972-1978) is the 8th and newest release. It makes me happy.
Artist
Title
Album
Label
Comment
New
Steve Colson
Parallel Universe
The Untarnished Dream
Silver Sphinx
with Reggie Workman & Andrew Cyrille
*
Bill Evans
Blue Monk
Conversations with Myself
Verve
Kaikhosru Sorabji
Transcendental Studies #26
100 Transcendental Studies (26-43)
Bis
Fredrik Ullén, piano
J. S. Bach
The Art of Fuge: Contrapunctus 11 a 4 (Tripelfuge)
Der Kunst der Fuge
Opus111
Grigory Sokolov, piano, Leningrad, rec. 1978-1981
Elodie Lauten
Alien Heart
Piano Works
Unseen Worlds
1983 (reissued recently)
*
Myra Melford’s Be Bread
Moon Bird
The Whole Tree Gone
Firehouse 12 Records
*
Matthew Ship & Rob Brown
Sonic Exploration Section 6
Sonic Explorations
Cadence Jazz
1988
Paul Bley Quintet
Walking Woman
Barrage
ESP-DISK’
1965
Grachan Moncur III
Space Spy
New Africa
BYG Actuel
1969
Aram Shelton’s Fast Citizens
Two Cities
Two Cities
Delmark
2009
Keefe Jackson Quartet
Eff-Time
Seeing You See
Clean Feed
2010
*
Jaques Berrocal, Dominique Coster, Roger Ferlet
Musiq Musik
Leïla Concerto
Futura
C. Newman
Are You Jewish? + Latest French Style
Trackways made by two dinosaurs, probably Megalosaurus
Theeater am Turm
1983
Wreck Small Speakers on Expensive Stereos
Lots of Hearts
River Falling Love
Ajax
compilation of 1984-1986 recordings, Dunedin, NZ
Gibson Bros
No Way to Get Along
Dedicated Fool
Homestead
1989
Losta Abelo
Maneno ya Mwanyuma
VA – African Acoustic Vol. 1: Guitar Songs from Tanzania, Zambia and Zaire
Original Music
Kayembe Yirung
Wadim Washantet
VA – African Acoustic Vol. 1: Guitar Songs from Tanzania, Zambia and Zaire
Original Music
Soki Nambi/Chola Piana
Bonne Annee
VA – African Acoustic Vol. 1: Guitar Songs from Tanzania, Zambia and Zaire
Original Music
Marijata
Break Through
VA – Afro-Beat Airways: West African Shock Waves (Ghana & Togo 1972-1978)
Analog Africa
*
The Who
Leaving Here
BBC Sessions
MCA
Tracey Dean
Boy on the Ball
VA – The Electric Asylum Vol. 5: Rare British Freakrock
From Discovery’s “How It’s Made”, we have the story of vinyl pressing in two parts. Go straight to Part 2 if you like action films:
Part 1:
Part 2:
Wanna take it to the next level? Check out the project “How Vinyl Records Are Made-And How to Pirate (Copy) A Vinyl Record” from the site DO IT: Projects, Plans and How-Tos (Get Up and Do Something). This is where I found the videos above (courtesy of my friend Dan Ruccia).
Asheville FM (Asheville Free Media) has been up and running for 10 months now! It’s going very well. Check out the site at http://ashevillefm.org. It’s taken me this long to get things going at the station to the point where I can spend some time on this blog. But now is the time! Don’t be surprised if the look of the blog changes over the next few weeks–and not just the out-of-date headers.
“The Good, the Bad, and the Ugly” is on Fridays 2-5pm. You can always hear the most recent show using this DIRECT LINK. You can also go the schedule page, find my show under Friday, and click on ‘Listen’. Playlists are on the Asheville FM website under my show’s page. I will be posting them here as well–along with my usual commentaries.
OK, some music content: I must admit that I’m excited about the upcoming Grinderman 2 record. They just sent me the first single, “Heathen Child,” and it… will likely grow on me. The video trailers for the album, though, are pretty darned interesting, so I’ll try to embed them (never done that before!):
“The Good, the Bad, and the Ugly” will soon be back be broadcasting again. I am currently involved in building a new radio station called Asheville Free Media (AshevilleFM.org). What is AshevilleFM? “Asheville Free Media is a volunteer-based, grassroots community radio station created by Friends of Community Radio, a non-profit entity. Our goal is to add to and reflect the rich stew of arts, culture and community involvement that is Asheville. We want to hear music, news, and the unusual all produced right here in our neck of the woods. We want to hear sounds from around the world, discerned and distilled just for us by our neighbors. We want to help make connections between diverse groups and support the local economy of ideas.”
We’re planning to go live on August 13, in times for Harvest Records’ Transfigurations music festival. Keep an eye on the AshevilleFM website for updates on fundraisers, construction progress (including pictures), our needs list, and general jubilation. As one of my radio buddies, the great Jesse Junior, put it at the construction party, “This is actually going to happen!” Yes indeed, it is actually going to happen.
The picture is of AshevilleFM’s broadcast console, which used to be the console at WMFO in Boston, Tufts University Radio, a great freeform station. You can read my AshevilleFM blog post on this if you’re interested.
"The Good, the Bad, and the Ugly" is a radio program hosted by Greg Lyon that airs Fridays 2 - 5 pm on AshevilleFM.org (Asheville Free Media). Until June 2004 this show aired on WPRB, Princeton, NJ, 103.3 FM . From 2007-2009 the show aired on WPVM in Asheville, NC. Playlists for my later WPRB shows and all of my WPVM shows are still on this website.